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Comparisons
between Naturalist and Impressionist - 2 |
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Johann
Barthold Jongkind
Painter View of Paris from the Seine, 1891
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Edouard
Manet
The Outlet of Boulogne Harbor, 1864
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Jongkind
painted seascapes and ports.
This painting is an example of the evolving method
of painting using the "lost and found" technique.
This technique used overlapping colors to create transparency. Both
Jongkind and Manet painted in the open air; however, Jongkind shows
the transition of traditional painting techniques of the Academy to
Impressionism.
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Manet painted his realist scenes in a modern style. He developed a
slurred, "wet-in-wet" technique of mixing colors directly on the canvas.
He also focused on the light colors in the sky and subdued the middle
colors of the boats. In the 1860's, he used diluted subdued colors
for his underpainting. Manet always wanted to have his painting look
like they were painted on a single sitting. Manet combined past and
present techniques in his work.
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Gustave
Courbet
A Painter's Studio; A Real Allegory, 1855
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Courbet painted both in his studio and in the open air. He experimented
with many ideas that were contrary to the Academy's principles. Courbet's
paintings captured a glimpse of many types of social classes. Courbet
was known as a Realist. In 1855, the Academy did not accept his paintings
for the annual show. As a result, he built a pavilion and called it
the Pavilion of Realism. He even painted himself in working clothes
to shock people into viewing common people in a different way. |
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